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Sunday, March 24, 2019

The Absurdity of Consumeristic Truth :: Essays Papers

The Absurdity of Consumeristic Truth conceive a military man innocent of a God, where tangible objects and experiences such as clothing and film watching have come to define and fulfill an entire society. Imagine a culture lacking any philosophical truth, where each separate is running wildly about in their isolated schedules, gleaning comfort and go to sleep from any inanimate object that can provide such, in any(prenominal) shape or form. Imagine a humanness where im perfect tense human turn to themselves in the search for perfection, and the ultimate source of perfection is blatantly denied for the simple reason that it is too perfect to be understood. Such is the valet de chambre according to Camus, such is the world that surrounds those that believe in a perfect God, and such is the American world in which you and I live. If one were to perceive the purpose and mystery of human smell as the coping with ultimate misgiving, whether it be death, pain, or meaninglessness, then it is possible to discuss the drastically contrary coping mechanisms that Camus and Christianity set forth. Both present a method in which to approach the phenomenon of fear, yet when it comes to actualizing a solution to the mystery, they turn to very different ends. The result is a society that has been left all the more confused, and has dark to both solutions in order to deal with the overwhelming fear and vestigial lack of truth that is prevalent in todays post-modernistic philosophy. Of the legion(predicate) themes and philosophies that Camus struggled with during his life and presented to the world through his writings, one of the more prevalent was that of the absurd. correspond to Camus, the world, human existence, and a God are all absurd phenomenons, devoid of any redeeming meaning or purpose. Through Mersaults epiphany in The Stranger, where he opens himself to the gentle indifference of the world, we see how Camus understands the world to be a place of nothi ngness, which demands and desires nothing from humans. He further explores this philosophy in The Plague, where the world of indifference is understood as a world of fear, which takes a symbolically tangible form in the plague itself. In The Plague the citizens of Oran fear that which they cannot control, understand or fight. They are faced with the most fundamental experiences of life and death, and it is only in the end that a very few flummox a way to cope with and understand these two ultimatums.

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